shinevast.blogg.se - Korg minilogue 4 voice polyphonic analog synth

#KORG MINILOGUE 4 VOICE POLYPHONIC ANALOG SYNTH PLUS#

“Tape-Style” delay effect with a feedback loop. Heaps of features for the knob tweaker and sound designer … There’s cross-modulation, ring-modulation, sync, noise, SHAPE modulation, the VC LFO, an internal delay-effekt, a flexible slider, etc. Whereby the sum of all the little parts plays a big role here: various playing modes (unison, chord, …), internal delay effect, the sequencer’s motion tracks and much more lets you submerge in a world of flexible musical performance and intuitive sounds.Ī plattform for experimental sounds. You wanna hear the good side first? The sound is refreshing, individual and somehow inspiring. The VCOs sound really good, the VCF is – as usual – powerful (although less colorful than the MS-20 filter), the envelopes are snappy … So, what’s so special about all this? All these advantages … There are not gonna be too many BIG surprises here.

MIDI, USB, sync IN/OUT, audio IN/OUT, phones output.

#KORG MINILOGUE 4 VOICE POLYPHONIC ANALOG SYNTH PLUS#

100 factory-sounds plus 100 “INIT” memory locations (200 memories all in all).Polyphonic step-sequencer (16 steps) with 4 motion-tracks, arpeggiator.A global VC LFO (to PITCH, SHAPE and CUTOFF).Cross-modulation, ring-modulation and noise.

2 VCOs per voice, with sync and wave shape capability.

(Korg praises its new analog baby and its newly designed analog circuit boards … ok, whatever, the user HEARS that this sound is definitely analog. Unprecedented in this class, it’s a four-voice polyphonic true-analog synth with an interface designed for accessibility.” “The synth circuits for minilogue are all new designs from the ground up, delivering a synthesizer experience like no other. These days, in the digital world, analog synths are combined with MIDI and USB, motion sequencer and lots of memories … there you go: minilogue! New, small, an analog / digital miracle. Analog sound architecture had already reached its limits. The Moog System 55 at the end of the 60s / beginning of the 70s said all there was to say. “New”, of course, is utterly impossible in the world of analog synths. It is an exceptional and – new – analog(ue) synth in the mid/lower price category. In any case, to tell the truth, the new Korg has not all that much in common with Moog.

That’s what we think that they were thinking. The word “minilogue” itself is simple, but nonetheless genious. Korg handled it very well. While all those rumours about the new ARP 2600 were circulating, the innovative Japanese company slipped the minilogue onto the market.